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Professor Marimba Ani: the concepts of Maafa, Asili, Utamawazo

 
Marimba Ani has developed the concepts of Maafa, Asili, Utamawazo, and Utamaroho as part of the on-going process of Afrikan-centered reconceptualization in which several Pan-Afrikan scholars are involved. She has helped to initiate an intellectual an



Marimba Ani was brought to the Department of Africana and Puerto Rican Studies by Dr. John Henrik Clarke in 1974 as she was completing her PhD dissertation at the Graduate Faculty of New School University. She had worked as a field organizer for the Student Nonviolent Coordinating Committee in Mississippi from 1963 to 1966, and had acted as Director of Freedom Registration for the Mississippi Freedom Democratic Party in 1964 which challenged the all-white Mississippi delegation to the Democratic National Convention in Atlantic City that summer. Dr. Clarke became her Jegna ("warrior- teacher, intellectual father, ideological influence") as she moved back to New York and into graduate school. It was through his influence that she became committed to Pan Afrikan liberation. 


   After having traveled in Afrika, Marimba Ani (born "Dona Richards") began formal study of the nature of Afrikan Civilization, focusing on the "deep thought" which underlies its fundamental common cultural themes and the varying constructs of Afrikan social organization. She has done extensive work on Afrikan spiritual conceptions and systems. She is using her articulation of the Afrikan world view as a frame of reference from which to critique European cultural thought, and to construct paradigms for Pan-Afrikan reconstruction.


   Marimba Ani has developed the concepts of Maafa, Asili, Utamawazo, and Utamaroho as part of the on-going process of Afrikan-centered reconceptualization in which several Pan-Afrikan scholars are involved. She has helped to initiate an intellectual and ideological movement, the purpose of which is to construct a theoretical framework which will allow people of Afrikan descent to explain the universe as it reflects their collective interests, values and vision. 


   Her most recent work has been the development of the Maat/Maafa/Sankofa paradigm as an analytical tool for understanding and explaining the Afrikan experience in the Diaspora and to suggest modalities for cultural reconstruction. Dr. Ani has been lecturing throughout the United States, the Caribbean and Afrika on this new theoretical construct which is part of her endeavor to develop a pragmatic Afrikan Cultural Science. This new science becomes the basis for the creation of Afrikan institutions and Nation-Building in the Diaspora. 


   Having taught at Hunter College for the past 25 years, Dr. Marimba Ani has had the opportunity to develop a number of courses on various aspects of the Pan-Afrikan experience. She teaches Afrikan Civilization, Afrikan Spirituality in the Diaspora, The Afrikan World View, Theories of White Racism, Afrikan Traditional Healing Systems, Nile Valley Civilization, Afrikan-centered theory, Women in Afrika, Men in the Afrikan Diaspora, and a number of other courses.   


The following are some of the scholarly writings which have resulted from her work: 

  • "The Ideology of European Dominance," The Western Journal of Black Studies. Vol. 3, No. 4, Winter, 1979, and Presence Africaine, No. 111, 3rd Quarterly, 1979.
  • "European Mythology: The Ideology of Progress," Contemporary Black Thought, eds. M. Asante and A. Vandi, Beverly Hills: Sage Publications, 1980, (59-79).
  • Let The Circle Be Unbroken: The Implications of Afrikan Spirituality in the Diaspora. New York: Nkonimfo Publications, 1988 (orig. 1980). 
  • "The Nyama of the Blacksmith: The Metaphysical Significance of Metallurgy in Afrika," Journal of Black Studies. Vol. 12, No. 2, December, 1981. 
  • Yurugu: An Afrikan-centered Critique of European Cultural Thought and Behavior. Trenton: Africa World Press, 1994.
  • "The Afrikan Asili," Selected Papers from the Proceedings of the Conference on Ethics, Higher Education and Social Responsibility, Washington, D.C.: Howard University Press, 1996. 
  • "The Afrikan ´Aesthetic´ and National Consciousness," The African Aesthetic, ed. Kariamu Welsh-Asante. Westport, Ct.: Greenwood Press, 1993. (63-82) and To Heal a People, ed. Erriel Kofi Addae, Columbia, MD.: Kujichagulia Press, 1996 (91-125).
  • "Writing as a means of enabling Afrikan Self-determination," Defining Ourselves; Black Writers in the 90´s, ed. Elizabeth Nuñez and Brenda M. Greene. New York: Peter Lang, 1999 (209-211). 

   Marimba Ani is an active organizer in the Afrikan Community. She has conducted Rites of Passage programs for Afrikan youth and young adults. She travels frequently to Ghana, West Afrika, where she is continuing her study and support of Afrikan traditional healing concept and practices. She is part of a "think tank" of Afrikan-centered scholars currently spear-heading the socially and politically dynamic "To Be Afrikan" campaign. She is Director of the Afrikan Heritage Afterschool Program, a voluntary effort which has been operating in the Harlem Community for the past 14 years. Marimba Ani holds a BA degree in philosophy from the University of Chicago, and the MA and Ph.D. degrees in anthropology from the Graduate Faculty of the New School University. She is Professor of Afrikan Studies in the Department of Black and Puerto Rican Studies at Hunter College in New York City. Her daughter Dzifa graduated in May of 1999 from Howard University with a BS degree in biology.

 DANS LA MEME RUBRIQUE
Pourquoi Longuè Longuè est en prison? Libérez LONGUE LONGUE !!!!!
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La fête fut simplement belle. Peuplesawa vous propose de revivre les grands moments de cette soirée en images....

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Ben Decca : « Ma musique est faite pour vous divertir et vous avertir de vous convertir? »
Moi je reste optimiste parce que par conviction, aujourd’hui nous avons la meilleure musique africaine pour ne pas dire au monde, parce que beaucoup d’autres personnes plagient notre musique et nous sommes les premiers à considérer que ça marche......

Abel MBENGUE : une interview du plus celèbre journaliste sportif du Cameroun moderne.
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et de fans du sport, on se surprend ici à l`entendre parler, avec une aisance jamais prise à défaut...

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Les ouvrages laissés par Léopold Moume Etia fond de lui un personnage qui s’est appliqué à restituer les choses et l’histoire dans leurs contextes réels, afin que nul n’en n’ignore. Il en est ainsi de " Cameroun : les années ardentes "...

il était une fois: ROGER MILLA
Pendant plus de 25 ans les stades du monde entier ont été témoins de ses exploits....

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Du 16 décembre 2005 au 12 janvier 2006, Francis Mbella, peintre camerounais, expose au Palm Beach Plus à Kribi, une collection de son vaste travail en la matière...

Prince Ndedi Eyango & Lady Vivianne Etienne à Essen (Allemagne17.12.05)
Peuplesawa vous propose de revivre les grands moments de cette soirée en images....

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